Without a new buyer, the sun is setting on Mac’s Old House. Flyer and photo source: Mac’s Old House
Restaurant and property put up for sale
By Allen D. Payton
A 69-year-old Antioch institution and icon, Mac’s Old House, will close in June as owner and president Gary Noe and general manager and head chef Rick Cook have decided to throw in the dish towel and chef’s hat.
Locally famous for their dine-in, family-style prime rib and pasta dinners, as well as their very affordable cocktails, “The story of Mac’s stretches back to 1925 when Floyd ‘Mac’ McKinney built this house with his father. In 1956 he began to operate a bar out of a converted part of the home. He operated it for 17 years before selling it and retiring,” according to a report by onlyinyourstate.com. “The restaurant changed hands a few times after Mac, but today’s owner bought it in 1983.”
Noe and Cook, who have operated it on E. 18th Street, announced the closure in a post on Facebook Friday evening:
“It is with heavy hearts that we announce the closing of Mac’s Old House on Sunday, June 22, 2025.
We know this may come as a shock, but after 42 incredible years it’s time to hang up our hats. In 1983, Gary and Rick came together with a vision to create the Mac’s you know and love today. Gary purchased this old house with the dream of bringing Bertolas style to Antioch, and Rick, who spent over a decade at Bertolas in Oakland, joined him. We were welcomed with open arms and were a success from day one.
We have weathered recessions, a pandemic, and ever-changing times, and through it all, we have been fortunate to serve this community. We could not have done it without our loyal customers and our dedicated staff. This little house has served well over three million meals, and we are grateful for each and every one of you.
Photo: Mac’s Old House
As difficult as this decision is, all good things must come to an end. Rick and Gary have dedicated more than half their lives to Mac’s—along with many of our staff. We are incredibly grateful for everyone who has been part of our Mac’s family over the years. Their hard work and loyalty is what makes Mac’s Old House so special.
We hope this gives you time to visit and enjoy Mac’s a few more times before we say our farewell. Your stories and memories mean the world to us, and we look forward to celebrating with the community that helped make Mac’s an iconic and loved institution.
There is still hope for the future—Mac’s Old House and the property are for sale, meaning it’s possible that Mac’s could live on with new ownership and management. For inquiries, please contact Tatiana Guzman, Chromata Real Estate at 925-783-2480 or tatiana@chromataRE.com.
Thank you all for being the most important part of our story.
With gratitude,
The Mac’s Old House Family”
Prime Rib dinner. Photo: Mac’s Old House
Their menu also includes Extra Cut Prime Rib, Ribeye Steak, fresh Salmon and Red Snapper, Calamari Steak, Grilled Chicken Breast and Ground Round. Mac’s dine-in meals include hot baked bread, Minestrone soup, salad, pasta and fresh sauteed vegetables. See all of their menu at www.macsoldhouse.com and go get some while you still can!
Presented by East Bay Family Nights and Claryssa Wilson of Antioch’s 4Ever Me Foundation and as a fundraiser for their annual Stuff the Bus School Supply Giveaway.
The Pan-African Flag flies below the U.S., State, P.O.W./M.I.A., and City Flags on the pole at City Hall on a windy and wet Thursday, Feb. 6, 2025. Photo by Allen D. Payton
Flag will fly through Juneteenth
By Allen D. Payton
During their regular meeting on Tuesday, Jan. 28, 2025, the Antioch City Council voted unanimously to approve a proclamation recognizing February as Black History Month in the City of Antioch and fly the Pan-African Flag in February and until Juneteenth.
Under Consent Calendar agenda Item 1.01, the council on a 5-0 vote approved the Black History Month Proclamation. (To read the proclamation see below or click here).
Then, to further recognize Black History Month, under the Consent Calendar Item 4.A., the council approved on a 5-0 vote flying the Pan African Flag at City Hall during February and until Juneteenth on June 19 to honor the nation’s newest holiday. That’s the day in 1865, two-and-a-half years after President Lincoln’s Emancipation Proclamation, when Union Army troops entered Texas and General Gordon Granger announced that the slaves in that state were also free.
According to the Flag Database, “The Pan-African flag, also known as the Afro-American flag, Black Liberation flag, and various other names, consists of three equal horizontal bands of red, black, and green. The red band is positioned at the top, followed by the black in the middle, and green at the bottom. This flag is a powerful symbol of African and African Diaspora unity, pride, and freedom. The red color represents the blood that unites all people of Black African ancestry, and that was shed for their liberation. The black band symbolizes black people whose existence as a nation, though not a nation-state, is affirmed by the existence of the flag. The green represents the abundant natural wealth of Africa.
“The Pan-African flag was first adopted on August 13, 1920, during the Universal Negro Improvement Association and African Communities League’s (UNIA-ACL) convention in Madison Square Garden in New York City. It was introduced by Marcus Garvey, a Jamaican political leader, publisher, journalist, entrepreneur, and orator, who founded the UNIA-ACL in 1914. Garvey proposed the flag in response to the 1900 coon song ‘Every Race Has a Flag but the Coon,’ which highlighted the fact that African Americans at the time did not have a flag symbolizing their own race. The creation of the Pan-African flag was a response to the derogatory song, aiming to provide Black people around the world with a symbol of their own pride and sovereignty. Since its adoption, the flag has been used in various African diaspora contexts, particularly within civil rights movements in the United States. It has also been embraced by many African countries and movements seeking to assert their independence and unity. Over the years, the flag has grown to become a global emblem of African solidarity, liberation, and pride.”
According to Wikipedia, “The flag was created as a response to racism against African Americans…with the help of Marcus Garvey,” who was “a Jamaican political activist” and “founder and first President-General” of the “Universal Negro Improvement Association and African Communities League (UNIA-ACL)” which “formally adopted it on August 13, 1920, in Article 39 of the Declaration of the Rights of the Negro Peoples of the World, during its month-long convention.”
IN HONOR OF BLACK HISTORY MONTH FEBRUARY 2025
WHEREAS, the origins of Black History Month can be traced back to 1915, half a century after the Thirteenth Amendment abolished slavery in the United States;
WHEREAS, in 1976, Black History Month was formally adopted to honor and affirm the importance of Black History throughout our American experience and is full of individuals who took a stance against prejudice advanced the cause of civil rights, strengthened families, communities, and our nation;
WHEREAS, the Black History Month 2025 theme, “African Americans and Labor,” focuses on the various and profound ways that work and working of all kinds – free and unfree, skilled and unskilled, vocational and voluntary. That work ranges from the past agricultural labor of enslaved Africans to today’s Black professionals providing leadership as corporate executives and entrepreneurs;
WHEREAS, because of their determination, hard work, and perseverance, African Americans have made valuable and lasting contributions to our community and our state, achieving exceptional success in all aspects of society including business, education, politics, science, and the arts;
WHEREAS, the City of Antioch continues to work toward becoming an inclusive community in which all residents – past, present, and future – are respected and recognized for their contributions and potential contributions to our community, the state, the country, and the world; and
WHEREAS, the City of Antioch is proud to honor the history and contributions of African Americans in our community, throughout our state, and our nation.
NOW, THEREFORE, I, RON BERNAL, Mayor of the City of Antioch, hereby proclaim February 2025 to be “Black History Month.” I encourage all citizens to celebrate our diverse heritage and culture and to continue our efforts to create a world that is more just, peaceful, and prosperous for all.
Join us this Martin Luther King Jr. Day as we spend “a day on, not a day off,” encouraging all Americans to volunteer to improve their communities. Let’s work together to build a stronger Antioch!
This Year’s Services Include: • Senior Day of Engagement – Antioch Senior Center | 415 W 2nd Street • Antioch Community Park Revitalization Project | 801 James Donlon Blvd. • Fremont Elementary School Community Project | 1413 F Street
Fundraiser for Boys Mentoring program By Anthony Randolph
A Martin Luther King Day event will be held on Monday January 20th, from 9:30 am to 12 noon at Grace Bible Fellowship of Antioch. It will be a great breakfast including shrimp and grits and a MLK, Jr. program. It is also a fundraiser for our Boys Mentoring program and all proceeds will help send them on a summer trip to Atlanta.
We are also having a Black History Contest open for all school age students in Contra Costa County. Below are some details but for complete details visit our website: www.gracearmsofantioch.org/mlkjr.
To commemorate the racial integration of schools in 1960
“Racism is a grown up disease, let’s stop using our kids to spread it.” – Ruby Bridges
By Allen D. Payton
Students at Antioch’s Dallas Ranch Middle School will participate in the annual Ruby Bridges Walk to School Day this Thursday, Nov. 14 to commemorate the day in 1960 when the namesake walked into a racially integrated school. On Thursday, students and families are encouraged to walk to school to demonstrate a shared commitment to ending racism and celebrate the impact of courage, resilience and unity.
According to the Ruby Bridges Foundation website, “Six-year-old Ruby Bridges stepped into the history books in 1960 when she integrated William Frantz Elementary School in New Orleans becoming a national icon for the civil rights movement. Today her story continues to inspire the next generation of leaders to end racism together one step at a time.”
According to her Wikipedia page, Bridges was one of six black children to pass the test that determined whether they could go to the all-white school. “Two of the six decided to stay at their old school, Bridges went to Frantz by herself, and three children (Gail Etienne, Leona Tate and Tessie Prevost) were transferred to the all-white McDonogh No. 19 Elementary School. All four 6-year-old girls were escorted to school by federal marshals during the first day they attended the two schools. In the following days of that year, federal marshals continued to escort them.”
About the experience that day for the activist, civil rights icon, author and speaker, according to Bridges’ website, “Greeted by an angry mob and escorted by federal marshals, Ruby bravely crossed the threshold of this school and into history single-handedly initiating the desegregation of New Orleans’ public schools.
The Walk to School Day initiative, the foundation’s website continues, “started with a question from a group of AAA School Safety Patrollers from Martin Elementary in South San Francisco. Nearly 60 years later, as they were hearing Ruby’s story for the first time, and learning about her courage and bravery, they thought there should be a day to commemorate the movement she started. These students took their idea to the State Legislature and today the Ruby Bridges Walk to School Day will be recognized by the state of California on November 14 each year. Like Ruby, they lead the way and set an example for all of us to follow.
“Today, Schools like Martin Elementary and Ruby Bridges Elementary in Alameda, California and Ruby Bridges Elementary in Woodinville, Washington continue to honor Ruby’s legacy in their own way. The latest initiative being The Ruby Bridges Walk to School Day. An annual day of dialogue to commemorate her historic steps. These students will continue the conversation and take part in their own forms of activism to bring an end to racism and all forms of bullying.”
Galatea on a Dolphin, a 19th century Italian marble sculpture, illuminated in the Lily Pond on the Main Terrace of Hearst Castle – one of the many works that can be viewed as part of the ‘Art Under the Moonlight’ tour. Photo from California State Parks
‘Art Under the Moonlight’ tours will allow guests to explore William Randolph Hearst’s famed art collection like never before
By California Department of Parks and Recreation, Divisions of Boating and Waterways, Historic Preservation and Off-Highway Motor Vehicle Recreation
SAN SIMEON, Calif.— California State Parks is excited to announce a new limited series of evening tours at the iconic Hearst Castle® this fall. The “Art Under the Moonlight” tours will offer guests a unique opportunity to explore William Randolph Hearst’s world-renowned art collection like never before – under the enchanting glow of the moon. These guided tours will be available on select Fridays and Saturdays from Oct. 4 through Nov. 16. Due to the limited availability, reservations are highly recommended.
WHAT: ‘Art Under the Moonlight’ tours WHEN: Select Fridays and Saturdays from Oct. 4 – Nov. 16, 2024 WHERE: Hearst San Simeon State Historical Monument (Hearst Castle®) COST: $50 for guests over 12 years old, $25 for children ages 5-12, no cost for children under 5. ACCESSIBILITY: The tour will involve navigating 160 stairs and will take moderate effort. An ADA-accessible version of the tour that involves no stairs and can accommodate up to four people per tour is also available. HOW TO JOIN: Visit HearstCastle.org or ReserveCalifornia.com to make your reservation. The tour lasts 100 minutes.
The new tour offers a rare chance to view illuminated outdoor works of art while learning about their significance through time and enjoying their beauty as one of Hearst’s honored guests would have done in the 1930s. Inside the historic castle, guests will get an intimate look at the art collection that the influential media mogul amassed during his time there.
“This is an incredible opportunity to be under the moonlight on the same path that Mr. Hearst and his guests strolled while smelling the fragrant blooms and hearing the calming sound of the hilltop fountains,” said San Luis Obispo Coast District Superintendent Dan Falat. “The evenings are magical here, and this one-of-a-kind art collection is shown off in the best lighting.”
About Hearst Castle®
La Cuesta Encantada, “The Enchanted Hill” high above the ocean at San Simeon, was the creation of two extraordinary individuals, William Randolph Hearst and architect Julia Morgan. Their collaboration, which began in 1919 and continued for 28 years, transformed an informal hilltop campsite into the world-famous Hearst Castle® – an estate that comprises the magnificent 115-room main house plus three sumptuous guesthouses, pools, and 127 acres of terraced gardens, fountains, and paths. The main house, “Casa Grande” and the three guesthouses, “Casa del Monte,” “Casa del Sol,” and “Casa del Mar” are home to Hearst’s extraordinary art collection and have hosted many influential guests, including President Calvin Coolidge, Winston Churchill, George Bernard Shaw, Hedda Hopper, Joan Crawford, Charlie Chaplin, and a diverse array of luminaries from the sports, show business, and publishing industries.
The California Department of Parks and Recreation, popularly known as State Parks, and the programs supported by its Office of Historic Preservation and divisions of Boating and Waterways and Off-Highway Motor Vehicle Recreation provide for the health, inspiration and education of the people of California by helping to preserve the state’s extraordinary biological diversity, protecting its most valued natural and cultural resources, and creating opportunities for high-quality outdoor recreation. Learn more at parks.ca.gov.
The historic mural on the W. 4th Street side of the building on the corner of G Street that is being removed will be updated and repainted. Photo by waymarkings.com.
“We’re going to update it” – Sean McCauley
By Allen D. Payton
Good news for those concerned about the removal of the historic mural on the W. 4th Street side of the building on the corner of G Street in Antioch’s downtown Rivertown.
After reading the Herald article about the mural, Sean McCauley who, with his partner Ron Harrison, owns the building, shared that a new mural would be painted on the building.
“We’re going to update it,” he stated.
“We are working with (Acting City Manager) Kwame (Reed) and (Mayor) Lamar (Hernandez-Thorpe), to redo the mural and to depict a similar and more inclusive scene for the community,” McCauley shared. “Grant funds were secured for this mural and others.”
Asked about the funds for the other murals in Rivertown, specifically the Sesquicentennial mural on the side of the building at 505 W. 2nd Street he said, “The only mural that was in bad shape was the one on W. 4th Street.”
“It wasn’t just the paint. The stucco was failing on the building and has been for years,” McCauley explained. “The building was literally falling off and hitting people.”
“We aren’t going to take the easement off of it,” he continued. “We’re working with Kwame and Brad to get a good mural up there. This is a positive thing for downtown.”
“We tried to get in contact with the muralist (who lives out of state) but she isn’t interested in redoing it,” said McCauley. “We have a muralist we’re working with on our downtown Pittsburg buildings and trying to use the same muralist for this one.”
The design is not done yet but it “will be more inclusive”, he reiterated.
“It’s a $650,000 to $700,000 investment that we’re putting into that G Street block (between W. 3rd and 4th Streets),” McCauley stated. “We’re doing what we can to improve the downtown.”
That includes investments by the two partners purchasing and improving multiple other buildings in Rivertown, including the Salon Suites on W. 4th and I Streets, and bringing several restaurants to the Rivertown Dining District including Smith’s Landing Seafood Grill, Monica’s Riverview, Guadalajara Taqueria, Abuelita’s House Pastries and Peruvian Sandwiches, and Buford’s BBQ.
In addition, Sylvia’s Florist is returning to Antioch and will soon open in McCauley’s building at 101 H Street in the old Casino building next to Waldie Plaza.
Scene inside the phone company office shows two boys outside the window on W. 4th Street. Photo by waymarkings.com
UPDATE 1: Original Mural Leader Wants Replacement to be Historically Correct
After reading the article above, former Antioch Councilwoman Elizabeth Rimbault, who was instrumental in leading the effort for the W. 4th Street mural, offered additional information about who it depicted and wants to ensure the replacement is historically correct.
“The original Operators Telephone Office Mural was historically correct for the occupants of the corner office in the 1940’s and 1950’s of downtown Antioch. The people depicted were real and were prominent figures of the time with names and families some still in Antioch,” she shared.
“Bill Friedrickson was the telephone repairman leaning against the truck and in the late 1990’s cleared hundreds of pounds of abandoned phone wires in the attic of the Historical Society Museum when they acquired the Riverview Union High School,” Rimbault continued. “Bob Beswick was a driving force of the community without serving on the city council.”
“When it is stated, the new mural will be more ‘inclusive’, does that mean people will be painted in that were not an employee of the phone company? Or not a resident in 1950? That would constitute revised history which I am sad to say there has been too much of that in Antioch lately in these 2020’s being more politically driven,” she stated. “I suggest that as the Historical Society received all rights, obligations, and remaining funds from the Antioch Friends of the Arts, that the Society be given final say of correctness of all historical facts depicted in the new design of the mural.”
“The boys seen in the window were just children that Char Downs Siska, the artist, painted in. They don’t depict anyone specific,” Rimbault added.
“It should be noted the only murals granting a city easement are W. 4th and G Street and 505 2nd Street. All other murals on private buildings and walls are totally the property owners’ right to choose,” she stated.
UPDATE 2: Mural Leader Suggests Depicting Two Black Sisters to Make New Mural Inclusive While Maintaining Historical Accuracy
After a few days thinking about it, Rimbault shared additional historical information about a Black family who lived in Antioch during the time the mural depicted. She offered a suggestion of adding depictions of two of the sisters to make the new mural more inclusive and keeping it historically accurate, as McCauley mentioned.
“Hold the presses,” Rimbault requested after her memory was triggered. “The mural was for 1951. It’s possible that at that time the Blanton (sp) family lived on railroad property near Railroad Avenue and A Street. The two oldest girls were in Antioch schools until Vergy was told to attend Pittsburg High School as she was graduating from junior high to high school. Her sister Joyce was in my husband’s Class of ‘61 and Vergy would have been in the Class of ’62.”
“If you count backwards, both girls would have been six and seven years old in 1951 and the only Black children in Antioch at the time,” Rimbault stated. “So, if the mayor wants the mural to be inclusive, two children looking into the operators’ window need to be little girls and it could be a tribute to the two, as they had many friends in school and should have been allowed to stay. But due to the underlying, unwritten law of Antioch the superintendent of schools suggested to their parents they would be better off in Pittsburg where they would be able to date boys of their own race.”
“And little girls would be more appropriately curious about all the women operators,” she added.
“Years ago, Joyce attended my husband’s class reunion of 50 years and had always considered it her class even though she was made to transfer as a junior,” Rimbault shared. “Her sister had a much harder adjustment, dropping out later and died as a young woman.”
“It’s amazing what memories this situation has caused to flood back to me. Have not thought about this in years,” the former Antioch historian mused.
